TCAC論壇雙年展 熱血志工招募
TCAC(台北當代藝術中心)在展覽及佈展期間需要熱血志工提供協助
徵求熱愛藝術的您投入寶貴時間協助藝術家佈展，在忙碌工作中近距離並深入了解藝術家作品，增添您2010夏天的充實意義與藝術涵養!
8/15前截止，有意者請盡快回覆喔!
佈展志工
工作日期： 8/20-9/4
工作時間： 11am-7pm (視工作內容需求與志工可赴時間而定)
工作內容：協助佈展
顧展志工
工作日期：9/4-10/31工作時間：11am-7pm
工作內容： 協助顧展 論壇雙年展詳情
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人手和工作日期如下
請回信告訴我們 你們希望可以參與的時段!
請同時回覆給我+超人+melody
chao!
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詳細工作組別需求
(請自行參考可參與時間與活動類別)
1. 佈展組：
負責協助藝術家佈展，以及與中心之溝通聯繫
8/21 – 9/3
20人，一個展間2人x8展間+游擊4人（2 people/ site）
(BBrother需要五名助手，有美術背景為佳，8/29-9/2)
2. 總務組：
8/21 – 9/3
5人，負責物件零件的購買與發票收集整理
包含懂一點會計的一名
3. 招待組：
9/4
6人，開幕當天的招待引導。3 people / site
4. 文宣組：
8/9-完成
Blog/ Website 設計，1 人
排版，1 人
5. 展場看顧
9/4-10/31，每日8人
6.翻譯組 interpreter，1人
論壇時期口譯
9/18.19
10/2.3
10/16.17
文字中翻英8/2-16或翻完為止
7.田野調查組 field report team:
interview room setting-up
錄像 video taping supervisor
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表格下載: http://docs.com/1QQM
聯絡方式：
Email： 陳小雜 office@tcac.tw
Melody lolplanet@hotmail.com
TCAC熱線：02-2311-2626
Tuesday, July 27, 2010
Wednesday, July 21, 2010
07.30星期五酒吧Vol:20 In Between Time & Space 7pm-8.30pm
07.30星期五酒吧 7pm-8.30pm
主題: In Between Time & Space
授課講者: Edwin van der Heide
同步口譯: 江怡萱
Edwin van der Heide (NL)
http://www.evdh.net/
Edwin van der Heide 於1970年出生，1992年時自荷蘭皇家音樂學院聲響學系畢業。他同時身為藝術家和研究者致力聲音，空間和互動媒體的開發與創新。他目前的工作領域是難以界定的，因為他選擇創作的媒材時常介於傳統音樂、聲音藝術、媒體藝術之間的特定集合地帶。Edwin認為媒體本身並非只是扮演調解的角色，但它屬性特質應該成為作品中內在固有的本質。
Edwin van der Heide延伸音樂性語言進入空間的，互動的和跨學科的方向並超越傳統音樂會的表達形式。其結果可以是一個裝置，表演或環境。觀眾時常被放置在作品之中並被挑戰要主動探索， 參與互動及延展自己與作品之間的美學關係。
始自1995年 ， 他開始於海牙的荷蘭皇家音樂學院附屬的藝術與科學部門教授影像與聲音學科，同時也兼任皇家藝術學院的講師。2002開始，他也開始在荷蘭萊登大學講授媒體科技的理工碩士學程。 在2007他在同一機構成為助理教授。
2009年，他在歐洲贏得了科技聲音領域中最高榮譽的“Witteveen+Bos Prize of Music +Technology”首獎。Edwin van der Heide曾經是台灣宏碁2000 “ArtFuture”
數位藝術專案的國際競賽首獎得主。
主題: In Between Time & Space
授課講者: Edwin van der Heide
同步口譯: 江怡萱
Edwin van der Heide (NL)
http://www.evdh.net/
Edwin van der Heide 於1970年出生，1992年時自荷蘭皇家音樂學院聲響學系畢業。他同時身為藝術家和研究者致力聲音，空間和互動媒體的開發與創新。他目前的工作領域是難以界定的，因為他選擇創作的媒材時常介於傳統音樂、聲音藝術、媒體藝術之間的特定集合地帶。Edwin認為媒體本身並非只是扮演調解的角色，但它屬性特質應該成為作品中內在固有的本質。
Edwin van der Heide延伸音樂性語言進入空間的，互動的和跨學科的方向並超越傳統音樂會的表達形式。其結果可以是一個裝置，表演或環境。觀眾時常被放置在作品之中並被挑戰要主動探索， 參與互動及延展自己與作品之間的美學關係。
始自1995年 ， 他開始於海牙的荷蘭皇家音樂學院附屬的藝術與科學部門教授影像與聲音學科，同時也兼任皇家藝術學院的講師。2002開始，他也開始在荷蘭萊登大學講授媒體科技的理工碩士學程。 在2007他在同一機構成為助理教授。
2009年，他在歐洲贏得了科技聲音領域中最高榮譽的“Witteveen+Bos Prize of Music +Technology”首獎。Edwin van der Heide曾經是台灣宏碁2000 “ArtFuture”
數位藝術專案的國際競賽首獎得主。
Edwin van der Heide (1970) studied Sonology at the Royal Conservatory, where he graduated in 1992. He is working as artist and researcher in the field of sound, space and interaction. His current work is hard to define in the traditional terms of music, sound art or media art because he is often working with specific characteristics a chosen medium. The medium is not meant to 'just' mediate but it's properties become an intrinsic part of the work.
Edwin Van der Heide is extending the term musical language into spatial, interactive and inter-disciplinary directions and going beyond the traditional concert presentation form. The result can either be an installation, a performance or an environment. Often the audience is placed in the middle of the work and challenged to actively explore, interact and relate themselves to the work.
In 1995 he started lecturing at the interfaculty Image and Sound / ArtScience of the Royal Conservatory and the Royal Arts Academy in The Hague, The Netherlands. Since 2002 he lectures at the Media Technology MSc program of Leiden University, The Netherlands. In 2007 he became an assistant professor at the same institution.
In 2009, he has won the highest honor of “Witteveen+Bos-prijs voor Kunst+Techniek” in Europe.
Tuesday, July 20, 2010
07.23星期五酒吧 Vol.19 : 線上視訊運動與運動者II_李士傑
07.23星期五酒吧 Vol.19 : 線上視訊運動與運動者II
Host_李士傑 Shih-Chieh Ilya Li X Shashwati Talukdar
今年三月時為了慶祝 TCAC 開幕，發起人必須要認捐演講，我認為 video 是最接近傳統藝術/行動範疇的網際網路與社會未來重要議題，因此我擬的題目是：「線上視訊運動與運動者」。光是提出一個籠統的概念檢視 online video trends & activism 還不夠，我做的是具體地探討未來藝術家需要處理視訊議題的提問方法與思考類型，並且就內容類型來逐類檢視其可能性。
⋯⋯
當時反應與迴響不錯，再應邀就沒有提到的一些次類型（政治影片）再做回顧，並且邀請印度裔美國獨立製片導演 Shashwati Talukdar 一起介紹她的作品。與國際（相對於台灣）的製作環境，探討在台灣的環境未來作藝術/video 運動的可能。
------------------------------
TALK- Practicing Dem(ART)ocracy
Its not only the responsibility of the artist to articulate what is not spoken, but also to find ways to break the constraints that impinge on creative practice. And here creative practice is defined
in the broadest terms to include funding, getting your work to an audience, and critical dialogue about your work. Artists can and should take control of all the aspects of their art.
---------------------------------
CV Shashwati Talukdar
Shashwati Talukdar, is an independent filmmaker. She began working in the film and television industry as an assistant editor for a TV show by Michael Moore. Since 1999, she has worked on projects for HBO, BBC, Lifetime, Sundance and Cablevision. Shashwati has directed over a dozen films and videos, which have been screened at venues including the Margaret Mead Festival, Berlin, the Whitney Biennial in New York, Kiasma Museum of Art in Helsinki and the Institute of Contemporary Art in Philadelphia. She has been supported by entities including the Jerome Foundation and the New York State Council on the Arts, and Pennsylvania Council on the Arts. She has been awarded the James T. Yee Mentorship Award from Center for Asian American Media (2002) and the Project Involve Fellowship (2003) from IFP/New York. In addition, Shashwati has taught at NYU, Arcadia and Temple University. She is a graduate of Jamia Millia Islamia, New Delhi and Temple University, Philadelphia. She lives between Taiwan, the United States and India.
Host_李士傑 Shih-Chieh Ilya Li X Shashwati Talukdar
今年三月時為了慶祝 TCAC 開幕，發起人必須要認捐演講，我認為 video 是最接近傳統藝術/行動範疇的網際網路與社會未來重要議題，因此我擬的題目是：「線上視訊運動與運動者」。光是提出一個籠統的概念檢視 online video trends & activism 還不夠，我做的是具體地探討未來藝術家需要處理視訊議題的提問方法與思考類型，並且就內容類型來逐類檢視其可能性。
⋯⋯
當時反應與迴響不錯，再應邀就沒有提到的一些次類型（政治影片）再做回顧，並且邀請印度裔美國獨立製片導演 Shashwati Talukdar 一起介紹她的作品。與國際（相對於台灣）的製作環境，探討在台灣的環境未來作藝術/video 運動的可能。
------------------------------
TALK- Practicing Dem(ART)ocracy
Its not only the responsibility of the artist to articulate what is not spoken, but also to find ways to break the constraints that impinge on creative practice. And here creative practice is defined
in the broadest terms to include funding, getting your work to an audience, and critical dialogue about your work. Artists can and should take control of all the aspects of their art.
---------------------------------
CV Shashwati Talukdar
Shashwati Talukdar, is an independent filmmaker. She began working in the film and television industry as an assistant editor for a TV show by Michael Moore. Since 1999, she has worked on projects for HBO, BBC, Lifetime, Sundance and Cablevision. Shashwati has directed over a dozen films and videos, which have been screened at venues including the Margaret Mead Festival, Berlin, the Whitney Biennial in New York, Kiasma Museum of Art in Helsinki and the Institute of Contemporary Art in Philadelphia. She has been supported by entities including the Jerome Foundation and the New York State Council on the Arts, and Pennsylvania Council on the Arts. She has been awarded the James T. Yee Mentorship Award from Center for Asian American Media (2002) and the Project Involve Fellowship (2003) from IFP/New York. In addition, Shashwati has taught at NYU, Arcadia and Temple University. She is a graduate of Jamia Millia Islamia, New Delhi and Temple University, Philadelphia. She lives between Taiwan, the United States and India.
07.23星期五酒吧: To Rent: an exercise in utopic practice | Host_LUISA ORTINEZ 7pm
07.23星期五酒吧 Vol.18
To Rent: an exercise in utopic practice
Host_LUISA ORTINEZ (西班牙巴塞隆納獨立策展人)
7-7.40pm
TCAC特別為各位邀請到西班牙獨立策展人來分享過去所策劃過的展覽!錯過絕對會後悔啦!!!
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路易莎‧奧蒂內斯 簡歷
西班牙巴塞羅那獨立策展人。曾於公共和私營部門策劃許多展覽。重要相關經歷如下：
自2009年起為Humberto Rivas (1937-2009)攝影檔案室的計畫主持人與策展人。 www.humbertorivas.com
2009 “自我與他者。肖像畫在當代印度攝影“，與 Devika Daulet-Singh共同策展。
2008 “Reflections of Contemporay India ”
曾與Manuel Saiz 及 Jorge Bravo 為“TheVideoArtFoundation”共同創始人。2003她策劃25hrs，其中包括二十五個小時的不間斷錄像放映了超過 300國際錄像作品創舉。
1997-95 策劃Se Alquila (To Rent) 展，此展奇異之處在於它是由屋主外租/借的私人空間所規畫而成的展出空間，在此當中作品擁有不同於傳統的容器。
1994-1985她與Marisa Diez de la Fuente在Galeria Ciento一同工作，Galeria Ciento為巴塞隆那70至80年代藝術和文化極具重要意義的空間。
1976-1979她開始了作為Video Nou（1976-1979年）開拓團隊之創始成員的職業生涯，其實驗性作品記載了社會、政治和文化等領域，今已成為Museu d’Art Contemporani de Barcelona (MACBA)永久收藏的一部分。
CV LUISA ORTINEZ - Selection
Freelance curator based in Barcelona, Spain. She had organized many exhibitions in the public and private sector. We can highlight the following items:
From 2009 she is director and curator of the archive of Humberto Rivas (1937-2009). www.humbertorivas.com photographic
2009 Curator together with Devika Daulet-Singh, of the exhibition “The Self and the Other. Portraiture in Contemporary Indian Photography”. A vision of the photographic practice in today’s India through the works of 16 photographers.
La Virreina Centre de la Imatge, Barcelona, and ARTIUM-Centro Museo Vasco de Arte Contemporáneo, Vitoria, Spain.
2008 Curates the exhibition “Reflections of Contemporay India ”. Showing the works of Indian artists N.S. Harsha, Sheela Gowda, Anup Mathew Thomas and Amar Kanwar. As part of the exhibition she elaborated a video documentary on each artist.
La Casa Encendida, Madrid.
As co-founder of TheVideoArtFoundation, together with Manuel Saiz and Jorge Bravo she curated and organised 25hrs (2003), a project consisting of twenty-five hours of uninterrupted video screening during which more than three hundred works of international video art created over the past ten years were projected.
1997-95 She conceives, coordinates and curates the exhibitions “Se Alquila”(To Rent); independent group shows that took place in private spaces (to rent or for sale) lended by the owners. The singularity of Se Alquila was its exhibiting spaces, in which the works had a different container from the traditional places.
1994-1985 She works together with Marisa Diez de la Fuente in Galeria Ciento, space of great significance in the artistic and cultural life during the 70’ and the 80’ in Barcelona.
She began her professional career as a founding member of the pioneering group Video Nou (1976-1979), whose experimental works devoted to documenting the social, political and cultural spheres are now part of the permanent collection of the Museu d’Art Contemporani de Barcelona (MACBA).
Monday, July 12, 2010
07.17 藝術家沙龍 _ Host : 王俊傑
Artists SalonTCAC藝術家沙龍－2010.7.17 pm1:30-5:00
題目：新品種－新媒體科技與表演藝術的跨域
主持人：王俊傑（國立臺北藝術大學藝術與科技中心主任）
與談人：黎煥雄（知名劇場導演）
藝術家來賓
林經堯（新媒體暨聲音藝術家）
周東彥（影像創作者）
張永達（新媒體暨聲音藝術家）
葉廷澔（新媒體藝術家）
座談大綱：
07.15 星期四之夜! : 五條人樂團演出!
07.15 星期四之夜! : 五條人樂團演出!
09年深圳建築雙年展中，建築師謝英俊、阮慶岳和其弱團隊的作品「繭」的開幕活動，邀請廣東的民謠組合樂隊五條人。在夜晚的溫暖火堆前，我們所有人都被他們現場演出的巨大的感染力中被所振動。事實上，沒有比這個場所更能體現五條人的精神了：「繭」的背後是深圳高度發展所建構起的宏偉建築群，而這個作品正是要反思這種發展模式而強調「弱」的生命力，一如五條人的音樂之於這個時代。
五條人的主角阿茂和仁科兩個質樸的青年，用一把吉他、一把手風琴，用他們家鄉的語言敘述著縣城中他們身旁人們的故事，歌唱著中國現實的荒誕與諷刺。
在中國虛幻的盛世中，他們的音樂顯得如此真實、誠懇，而是透過底層的生活讓人們可以一窺時代的矛盾。而這正是民謠最根本的精神。
今年初，五條人的專輯《縣城記》打敗左小祖咒、陳奕迅、張懸等人，獲得中國最具影響力媒體南方周末的年度原創文化榜音樂獎（自我揭露：我是評委）。
尤其，他們對台灣人是親切的。因為他們的方言接近閩南語，並深受陳明章與林生祥的影響。在這個夜晚，在台北，歡迎你來聆聽當前中國最誠實而有生命力的民謠。
張鐵志
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南方周末介紹
http://www.infzm.com/content/41600
Friday, July 9, 2010
07.17星期六酒吧︰60X60實驗音樂 7pm
White Fungus Presents 60X60 in Taipei Contemporary Art Center
07.17星期六酒吧︰60X60實驗音樂 7pm
60X60
WANG FURUI /王福瑞, DINO, THE LOST WEEKEND
TAIPEI CONTEMPORARY ART CENTER 7PM, SATURDAY JULY 17
07.17星期六酒吧︰60X60實驗音樂 7pm
- 在地數位藝術家王福瑞,Dino,DJ set by Wellington’s The Lost Weekend
- 白木耳藝術雜誌鉅獻.
60x60實驗音樂計畫源自2003年紐約,由藝術家RobertVoisey所發起,每一年Voisey皆會依循1小時60分鐘,由60個一分鐘的作品所組成,透過廣播,公共演出推廣計畫.每一次的活動,以自身的作品與各城市在地的藝術家現場交流互動演出.截至目前為止,Voisey已在歐洲與北美進行許多次計畫推廣, 今年夏天, 首次亞洲發聲.
Arts magazine White Fungus is about to introduce experimental music dissemination project 60x60 to Taipei with an event at Taipei Contemporary Art Center, Saturday, July 17. As well as presenting the latest 60x60 mix, the night will feature performances by local artists Wang Furui and Dino, plus a DJ set by Wellington’s The Lost Weekend.
60x60 was founded in New York in 2003 by Robert Voisey. Each year Voisey compiles a one-hour mix of 60 one-minute compositions and presents it to the public via radio, and through events held in cities around the world in collaboration with local artists. Each mix provides a snapshot of the range of contemporary composition; Voisey has received thousands of submissions and created a vast network of composers throughout Europe and North America. This will be the first 60X60 event held in Asia.
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